Pretty Pots, Sassy Slab Work, and Show Information

Small Jars, from 5"-8" tall, with cut foot ring, first pots with a bit of glaze sprayed through my new little mouth atomizer for added color subtlety.

Bowls, from 8"-10" tall. They came out well, but I will re-fire at least one in the new kiln,  to see whether the interior rust color will deepen to a redder (less green-y) hue with slower cooling after peak temperature.

Textured Platter, approx. 15" x 11". The branch was drawn on the raw clay piece right after it was formed. Glazes went on over that after the bisque fire.

Above are a few pots from the last glaze kiln, which I fired approximately a month ago.

I may have been away from the studio a whole lot since then, but it's been anything but a dry phase. I've watched terrific technique DVDs from Erin Furimsky (surface decoration) and Lorna Meaden (throwing techniques and aesthetic considerations) in the last month, plus the usual online videos from the prolific Simon Leach and Hsin Chuen Lin, plus the usual video snippets and posts from many others I find on Ceramic Arts Daily. There were photos and articles in Ceramics Monthly and Pottery Making Illustrated, and information absorbed from using handmade pottery every day. 

I have two shows coming up in November, one with the Potters Guild of NJ on 11/11/12 (the guild will be there the 10th and 11th, but I'll just be there in person on Sunday) and the other in a terrific little craft show at the Nanuet Hebrew Center in New City, NY, on 11/18/12.

September and the first part of October were super-busy with holidays and family. (Did I mention grandtwins, now nearly 3 months old???) By the time the holidays ended Tuesday evening, I was pining to get back to my bright studio and make new work. Wednesday and Thursday were full steam ahead, productive and engrossing with work made from rolled-out slabs of clay. It was like getting back in touch with a very dear friend.

Stamped Tray, approx. 11" x 7.5"

Long Oval Platter, approx. 17" x 11", underglaze design based on a sketch

The first pieces I made on my return to the studio, a set of 8 appetizer plates, approx. 6" x 4". Glaze will pool nicely into the strong texture, made with a carved wooden roulette and my own, homemade flower stamp.

All this slab work (and more) was inspired by a request I received to demonstrate handbuilding techniques. I've been increasingly interested in non-wheel work, because of its textural possibilities, so I happily said Yes to the request. I will be doing an hour-long demo of handbuilding of items like the plates and trays above, at the 46th New Jersey Senior Citizens Annual Art Contest and Exhibition. The event will take place at Meadow Lakes (senior living community) in East Windsor, NJ on Friday, October 26th, mid-morning (11-approximately 12:15).  I call it "From Clay Slice to Delicious Dish." Visit, see the demo, and say hi!

While Thursday's handbuilding and underglazing was going on, the tech came to hook up the vent on the new, digital (programmable) kiln, which is due to fire its first glazed pots in a week or so. OK. I confess. I'm so excited about this kiln I could bust. I've now invested in a way to make my electric-fired glazes richer looking, with slower cooling in the kiln at the end of each firing. Can't wait to get the process going. But that's a story for another day!

Hand Built Pottery Forms

October 26: 11-12:15 a.m. I will do a handbuilding demonstration in East Windsor, New Jersey. I'm part of the live entertainment at a best-in-state senior art show. I didn't enter this show as it is for 60+ (a few years to go yet!) but was contacted to do the demo. Should be fun!

Since I mostly work at the potter's wheel, this became an opportunity to play freely with slabs of clay for a change.

Vegetable server

Ice cream bowl

Textured serving plate

Dessert plate

Square saucer

For these simple projects I used texture tools like a paint stirrer, carved wooden coggle wheel (an actual pottery tool!), onion bag netting, and a dried leaf skeleton. On the ice cream bowl, I added sprigs made by pressing bits of clay in a butter mold and in the carving along the edge of a picture frame, and sprigging them onto the oval bowl.

The bottom three pieces were actually formed very easily, by draping textured slabs over unadorned wooden picture frames. I cut the edges freely to give them a livelier, hand-formed quality. The vegetable server was formed by draping a textured slab over a hump mold I made by casting plaster in a small oblong meat tray.

Textures, forms, play, effort-  it's all grist for the mill! My first workshop in the renovated studio, probably in February to help some of you out of the winter doldrums, will be on making simple slab forms.